Tensho kata: Its origins are based on the point and circle principles of Kempo. It was heavily influenced by the late by Chojun Miyagi and was. This article is the third in a series of articles that examines the fundamental principles of Goju-ryu karate. The Tensho kata builds upon all of the concepts. This article describes some soft (ju) principles of Goju-Ryu developed through the study of Tensho kata. The origin of these principles is undoubtedly Chinese.
|Published (Last):||26 October 2012|
|PDF File Size:||10.41 Mb|
|ePub File Size:||19.63 Mb|
|Price:||Free* [*Free Regsitration Required]|
Many kata have a number of steps as we have mentioned before and therefore, are named after the number of steps they have.
The practice of Tensho is now used to build these centering and connectivity concepts as shown in Figure 9.
If you do not notice the car approaching ksta will not be ready for the impact, even at a slow speed you will receive quite a shock to the body. The transition from this position to the final strike position occurs gradually throughout the technique, just as a whip unravels during flight.
Grabbing at the wrist in the on-guard position In the next movement from the kata, shown in Figure 5 a-cthe right hand begins in the onguard position, turns over to grab with a hooking block band finally performs a knife hand block c. Unfortunately, at this final moment of contact, the hard structure of Sanchin inhibits the flow of energy.
Tensho by Mas Oyama (video)
It katta also important that we learn to breathe properly. Just go on YouTube and search these kata names, you will find so many different and interesting videos to watch! This is usually practised by Shorin styles, but some Goju schools have adopted this, seeing this as a missing crane form from Naha Te that follows the Buddhist numerological sequence 3, 6, 18, 36, 54or SanchinRokkishuSepaiSanseiruGojushiho and Suparipai.
What he tried to explain to me and I hope that I have understood it correctly is that your whole arm should act as an extension of your whole body, it should be supported by your whole body. This Kata will teach you the importance of forefinger and thumb positioning when you twist your palm.
When you go from down to right, your tenshp finger should be the axis around which your hand slowly rotates.
Goju-Ryu Kata – Tensho
Therefore, I consider quite safe to say that this has also White Crane influences, but please feel to correct me! The karate drum technique is practiced from a right Sanchin stance. If instead the arm is held using the principles of Sanchin kata, the shoulder muscle group is locked down, the arm is held under c. The desired outcome is an explosion of energy directed at a point on the body of the opponent.
Every Kata has an associated tempo and timing. Transferring energy by coupling the principles Applications Figure 15 demonstrates the practical application of the first sequence from Tensho shown in Figure 1.
As what my sensei said, once you master the Tensho katayou basically master the entire hand tech of nahate. This is the basic technique: Roles are then reversed allowing the attacker to stick, redirect, load hand counter i.
Notice that in the only manner in which this transition can occur is the body rotates from the center into the knife block b. This creates strong pressure which can cause the veins in the brain to rupture or burst. Notice the position of the hand when preparing the palm-heel strike cjust like a whip being wound-up and flicked into the opponent.
TENSHO Kata 転掌 – Shito-ryu Shukokai Union
Combining Several Skills Principle 3: The attacker determines the speed, power, and direction of the strike while the defender simply focuses on maintaining contact. He has studied karate for over 35 years and is the International Representative for the Okinawan Seibukai Association under its president Nakasone Kinei.
Sanchin stance is used to bring all of the leg muscles under tension; the body weight is lowered and becomes firmly rooted, gripping the floor through correct positioning of the feet.
Finally, to develop power in the techniques, transitional principles such as the karate- drum can be integrated with kata training Tensuo Weight Transitioning The karate drum kaat to a series of drills that gradually teach the student the internal structure associated with delivering power in karate techniques Labbate This segment teaches the fourth push-hands drill that brings together the several soft skills: Centering and Connectivity Figure 10 shows how this technique is combined with weight transitioning.
From this position, a knife hand shuto block is performed dand the right hand is brought to the chamber position e. As before, the drill begins with the grabbing position e. First Sequence, taken from Tensho Figure 2: As I have mentioned earlier, in daily life we are not conscious of breathing. The sixth hand, which as the kaat also says, is omitted in Tensho kata the extended index finger as a distinct hand … or is it not?
When swinging forward and backward, the student should not trnsho excessively into the drill, the shoulders should rotate remaining parallel to the floor, and the student should not tip from side to side. Finally, they rotate their hands from outside to inside, maintaining contact so as to form a hook on the opposite side of the wrist f.